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"She is that. More than I can say. An' keeps things together, too. She is clever like her father, an' he was on the fair way to make a fortune. Ay, I always say it, law is the thing that pays in Ireland. A good sound fight sets them up. But I'm keeping you, sir, and your gun is waitin' for ye. If you haven't had enough of me company by this," with another jolly laugh, "I'll take ye down to a field hard by, an' show ye where I saw a fine young covey only yesternight.",

"So," she says, mockingly, laughing at Nicholas, "you cannot play the seer any longer? Well, I shall tell you. I was with Paul Rodney!",

"'Tis the English gintleman, miss,—Misther Rodney. He wants to see ye," says the fair Bridget, putting her head in at the doorway, and speaking in a hushed and subdued tone.,

"It was the last line," says Mona, in explanation, clearly ashamed of herself, yet unable wholly to subdue her merriment. "It reminded me so much of that speech about tea, that they always use at temperance meetings; they call it the beverage 'that cheers but not inebriates.' You said 'that warms but not illumines,' and it sounded exactly like it. Don't you see!"

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"I accept the risk," says Nolly, with much stateliness and forthwith retires to make himself presentable.,

Advancing with the empty gun in his hands, he raises it, and, holding it by the barrel, brings it down with all his might upon his enemy's skull. Ryan reels, staggers, and once more licks the dust. But the wretched weapon—sold probably at the back of some miserable shebeen in Bantry for any price ranging from five-and-six to one guinea—snaps in two at this moment from the force of the blow, so leaving Rodney, spent and weak with loss of blood, at the mercy of his second opponent.,

But almost on the threshold they come to a full stop to gaze irresolutely at one another, and then over their shoulders at Mona. She, marking their surprise, comes hastily to the front, and so makes herself acquainted with the cause of their delay.,

Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air.